The poetry collection “Safar Ki Dhool (Chandan Ban Gayi)” by Shri Tulsi Ram Prajapati is not merely a gathering of poems—it is an emotional and philosophical journey that captures the transitions of time, culture, and human relationships. Each poem resonates with the deep understanding of a poet who has lived through the layers of change in society, art, and nature. The collection portrays how the dust of one’s journey can turn into the fragrant essence of sandalwood when touched by reflection, emotion, and artistic insight.
At its core, this book builds a bridge between tradition and modernity. In an age where the essence of relationships often fades amidst the fast pace of life, Tulsi Ram’s poetry reminds us of the beauty of familial bonds and the warmth of human connection. Whether it’s the silent concern of a mother, the quiet endurance of a father, or the fading intimacy among siblings, the poet captures these subtleties with tender honesty. Each verse becomes a mirror in which readers recognize fragments of their own experiences and emotions.
Another compelling aspect of this collection is its profound dialogue with nature. The poet laments the growing distance between humanity and the natural world, weaving verses that awaken our lost intimacy with the trees, rivers, mountains, and skies. Through this poetic communion, Tulsi Ram Prajapati rekindles a forgotten relationship between man and nature—urging readers to rediscover the serenity and balance that nature once offered our inner world.
What makes “Safar Ki Dhool (Chandan Ban Gayi)” truly special is the seamless fusion of artistic sensibility and emotional depth. As an accomplished sculptor, Tulsi Ram brings to his poetry the same craftsmanship that defines his sculptures—the balance of form and feeling, the rhythm of movement, and the harmony of substance and spirit. His artistic vision gives his poetry a tactile quality; one can almost feel the textures of emotion as if molded from clay itself.
Born in 1980 in Faridabad, Haryana, Tulsi Ram Prajapati’s creative journey began in childhood, shaped by his connection to clay and the potter’s wheel. His education from the Delhi College of Art and Jamia Millia Islamia refined his craft, and today, based in Chandigarh, he continues to explore the intersection of tradition and innovation in his sculptures. His preference for terracotta and cement reflects his belief in the coexistence of the past and present—a philosophy that beautifully extends into his poetry.
In essence, “Safar Ki Dhool (Chandan Ban Gayi)” is an artistic reflection of life itself—of change, continuity, memory, and rediscovery. It is a poetic testimony that the dust of life’s journey, when viewed through the eyes of art and introspection, can indeed transform into the fragrance of sandalwood.
