“Bheed mein khoya hua ‘main’” keval ek kavita sangrah nahin, balki aadhunik manushy kee apane hee astitv kee or vaapasee kee sanvedanasheel yaatra hai. dijital aur dikhaave se bhare is daur mein, jahaan ham doosaron kee nazaron mein behatar dikhane kee hod mein svayan ko peechhe chhod dete hain, yah pustak hamen thaharakar apane bheetar jhaankane ka avasar detee hai. lekhak lalit daas “nirmohee” ne varsh 2014 se 2026 tak ke apane gahan anubhavon ko 40 kavitaon mein piroya hai. yah sangrah chaar charanon se hokar gujarata hai— mukhauta, jo baaharee sangharshon ko ujaagar karata hai; bheetar kee yaatra, jo aatm-saakshaatkaar aur maun ka mahatv bataatee hai; nirmohee darshan, jo moh-maaya se pare santulit jeevan jeene kee kala sikhaata hai; aur antatah ummeed ka savera, jo jadon kee yaad aur naee shuruaat ka sandesh deta hai. chaahe “baaba kee vo kameez” jaisee kavitaon ke maadhyam se rishton kee saadagee ko samajhana ho ya ‘nirmohee’ hone ke gahare arth ko aatmasaat karana—yah sangrah har us vyakti ke lie hai jo bheed mein rahate hue bhee apanee alag pahachaan aur aantarik shaanti kee talaash mein hai. yah pustak dikhaave kee duniya se aatm-khoj tak ka ek sashakt setu hai.
