Ramayana Box Office Day 8: ₹1,033.55 Crore Worldwide as Film Crosses ₹1,000 Crore

13 November 2026, morning update: Nitesh Tiwari’s Ramayana: Part I, starring Ranbir Kapoor, Sai Pallavi and Yash, has crossed the ₹1,000-crore worldwide gross milestone after eight days in cinemas. Trade-tracking service Sacnilk reports a cumulative ₹1,033.55 crore worldwide gross through Thursday, 12 November 2026. Of that total, ₹675.05 crore is the reported India gross and ₹358.50 crore is the estimated overseas gross. These are third-party trade figures, not audited producer statements.

Ramayana box office collection Day 8: latest worldwide and India figures

After opening theatrically on 5 November, Ramayana reached the four-digit worldwide benchmark with its eighth-day collection. The amount above ₹1,000 crore is ₹33.55 crore based on Sacnilk’s current consolidated totals.

Source: Sacnilk’s film-wide collection tracker, viewed on 13 November. Currency values are in Indian rupees. Overseas figures are specifically described by the tracker as rough estimates that can change.

How much did Ramayana earn on Thursday, Day 8?

The film’s reported India net was ₹53.50 crore on Thursday, down from Wednesday’s ₹70.65 crore. That represents a 24.3% day-on-day decline. The Thursday figure was nevertheless enough, alongside overseas receipts, to carry the cumulative worldwide gross past ₹1,000 crore.

The decline needs context: Monday, 9 November was an unusually strong day in the available series, at ₹107.50 crore India net. Thursday’s ₹53.50 crore therefore shows a slowdown from the festive-week peak, rather than evidence on its own of where the final lifetime collection will land. The Friday-to-Sunday performance will give a clearer picture of second-weekend demand.

Ramayana day-wise India net collection: 5–12 November 2026

All entries are Sacnilk’s tracked India net figures, and the eight daily amounts reconcile to ₹564.60 crore. The first day of release was a Thursday, so this table covers eight calendar days rather than a conventional seven-day Monday-to-Sunday week.

Where did the ₹1,033.55-crore worldwide total come from?

The distinction between India net, India gross and worldwide gross matters. India net reflects domestic ticket revenue after certain taxes; India gross is the domestic ticket-sales total before such deductions. Overseas gross is added to India gross, not India net, to produce the reported worldwide gross.

For this film, the calculation is straightforward: ₹675.05 crore India gross + ₹358.50 crore overseas gross = ₹1,033.55 crore worldwide gross. On that basis, overseas markets account for approximately 34.7% of the worldwide figure. The percentage is a calculation from the figures cited above, not a separate audited market estimate.

Sacnilk’s records currently place the seven-day worldwide total at ₹944.55 crore, meaning Thursday added an estimated ₹89 crore worldwide. Our earlier Day 7 box-office coverage used a lower worldwide number; this article follows the source’s current day-wise ledger and therefore supersedes that earlier worldwide total.

Hindi leads, but multilingual releases matter

Hindi-language screenings contributed ₹43.00 crore to Day 8’s India net. Kannada accounted for ₹3.25 crore, Malayalam ₹2.80 crore, Telugu ₹2.30 crore and Tamil ₹2.15 crore, according to the Day 8 language breakdown. Across the eight-day period, Hindi represented ₹437.00 crore of India’s ₹564.60-crore net total, or around 77.4%.

The figures suggest Hindi remains the largest contributor domestically, while regional-language versions have made a measurable addition. They do not, by themselves, establish which region has the highest profit margin, since theatrical costs and distribution terms have not been factored into these box-office totals.

How significant is the ₹1,000-crore milestone?

Crossing ₹1,000 crore worldwide within eight days puts Ramayana into an exceptionally high collection bracket for an Indian film. A 13 November report in The Times of India also cites ₹1,033.55 crore worldwide and describes the film as the 11th Indian release to pass ₹1,000 crore.

That milestone is important, but gross collection is not profit. Box-office gross cannot be treated as money returned directly to the production company; taxes, exhibitor shares, distribution deals, promotion and production costs all affect eventual commercial returns. A profitable-or-loss-making verdict would require reliable cost and revenue data beyond a cumulative ticket-sales figure.

Ramayana Day 9: what is known on 13 November?

Friday’s screenings are underway at the time of this morning update. Early live-tracker figures for Day 9 are partial and change as shows are reported. They should not be presented as a final Friday collection. This report therefore uses the fully reported Day 8 figures through 12 November; a definitive Day 9 comparison requires a later update.

The major indicators to watch next are Friday’s final India net total, the change from Thursday, and whether the Saturday-Sunday weekend lifts domestic occupancy. Overseas estimates could also be revised as more territories report actual grosses.

Frequently asked questions

Has Ramayana crossed ₹1,000 crore worldwide?

Yes, according to Sacnilk’s eight-day trade estimate, the film reached ₹1,033.55 crore worldwide gross through 12 November 2026.

What is Ramayana’s Day 8 India collection?

Its Day 8 collection was ₹53.50 crore India net across languages, with a reported domestic gross of ₹64 crore.

How much has Ramayana made overseas?

Sacnilk places cumulative overseas gross at approximately ₹358.50 crore through Day 8, while explicitly describing international amounts as estimates.

Is the Day 9 box-office collection final?

No. Friday, 13 November figures were still being updated when this article was prepared. The final Day 9 number is not included in the eight-day totals above.

Editorial transparency: This article is based on trade-tracker data published and updated on 12–13 November 2026. Estimates may be revised; those revisions should be reflected in later coverage. The featured image is an editorial illustration from The Literature Times’ existing media library, not a film still.